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Dancing with a stranger
Kenneth Roy
A woman has died, and with her the last hope of solving a legendary Glasgow murder
Also on this page:
Bob’s People
The horse that bolted
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The speech of his life
Chik Collins
on the greatest oratory of Jimmy Reid: not the rectorial address
Also on this page:
The Cafe
Stewart Hendry and Mike Bailey
A juicy story
David Harvie
How it was discovered that lemons are good for you
Also on this page:
The Cafe
David Mackenzie and
Miller Caldwell
Transferable skulls
Robin Downie
Can we all be managed in the great cause of efficiency?
Also on this page:
Rear Window
Ian Mackenzie on a man who
broke all the rules

This Scotland
‘the people of Saltcoats – a sordid race’
John Galt (1779-1839), ‘The Ayrshire Legatees’
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‘Never have I seen desolation less abominable; but desolate it is, Ulva’
George Scott-Moncrieff, ‘The Scottish Islands’ (1952)
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‘Inverkip is so rough they put a date stamp on your head when they mug
you so they don’t do you twice in the one day’
Chic Murray (1919-85)
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‘I am glad to have seen the Caledonian Canal, but don’t want to see it again’
Matthew Arnold (1822-1888), ‘Letters’
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‘Dundee, a frowsy fisherwife addicted to gin and infanticide’
Lewis Grassic Gibbon (1901-35), ‘Scottish Scene’
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‘Wick is the meanest of men’s towns, set on what is surely the baldest of God’s bays’
Robert Louis Stevenson (1850-1894), letter
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‘If Dingwall was in its ordinary state, it must be an excellent place for sleeping a life away in’
Henry Cockburn (1779-1854), ‘Circuit Journeys’
‘If justice were done to the inhabitants of Inverness, in twenty years’ time there would be no-one left there but the Provost and the hang-man’
John Telford (early 19th century)
Poems of the Year
Gerard Rochford
August
Three
Using both hands
you carry water in a glass
across the room to me.
Meniscus your world,
step by step the carpet
is a mile in your mind.
Mother hovers near.
I reach out, take the glass
and steady you.
I drink with aplomb.
We all clap. You clap too.
You will have rivers to cross,
advancing like a soldier
keeping her powder dry
with a gesture of surrender.
Close is the brink,
bright the triumph.
The long aisle waits.
July
Ironing a sari
This hand dyed cotton unfolding on and on
until its face and colour are young again.
Such length is like a path down to the river,
which morning and evening feels the feet of women
who wander from the village to the washing place
and laugh about their men beside the drying stones.
The cloth has no one now to fold around:
one brown shoulder covered, the other bare,
breasts shaping a tease of bodice,
the crucial tucking in around the waist.
And I am wrapped within this task,
breathing warmth from what has touched your skin
June
Summer of ’45
My mother drives us singing into town.
There is a fog and a man has been hit by a car;
he lies in the road amid the dancing crowds.
Father takes off his jacket, covers the face.
Later we notice a bloodstain on the sleeve.
It is never worn again, but hung on a hook
like meat in a butcher’s shop.
The war in Europe is over: a man is dead in the street,
the bells are ringing, widows and mothers weep.
We drive home slowly back into the village.
Father, in shirt sleeves, serves cider, proposes a toast.
Somewhere in town a policeman stands at a door.
The sun pushes through: crimson headed goldfinch,
explosions of gold on their wings,
attack the parachutes of thistle.
A cat creeps towards them on its belly.
In the Burmese jungle my brother crawls,
alert as a panther, knife and rifle ready.
May
Ash
Bad enough these absences from weddings,
deathbeds, trysts, funerals, christenings,
and the holding together of sweethearts
their fire quenched by a holiday in the sun.
The greening of spring feels grey
as an Act of God sweeps Europe
like an invading army, mimics
the flags of Rome, Napoleon, Hitler.
These plumes will clear; inconvenience,
regrets, deaths away from home,
honeymooners and businessmen rebated,
cars in the driveway washed.
Since Pompeii’s lovers turned to stone
we have known ash more terrible than this.
The wilful burning of forests, villages,
mothers, children, babies in Vietnam,
where a young girl set on fire ran
naked towards her enemy for comfort.
Acts of Man forever drift above us,
Treblinka, Belsen, Auschwitz-Birkenau,
Hiroshima, Nagasaki and New York.
April
Deer
Tacitly she strolls into our garden.
Her silence is the golden breath of autumn,
with eyes like stained glass windows
showing nothing of her soul.
She figures me completely,
the danger of my stare,
even my desire to track her home
and touch her as she sleeps.
She will leave me nothing
when she steals away,
save a memory of interminable quiet
and the foolish sense I have of empathy.
In the moment of my careless inattention
she vanishes and I remain alone.
I love her and will look for her return.
She is as indifferent as a branch.
March
Promise
When winter lashed our bedroom window
you said you would come back to me in the spring.
A blackbird heard you.
Well, the snowdrops are almost finished,
crocuses are erect and daffodils get prouder by the day.
Even the geese are returning, a ragged victory flight.
I have fresh coffee-beans. We will eat butteries.
What more could you want?
Your white bath-robe on the line flaps its wings
like a swan. Surely you can hear it, feel the breeze,
smell the clean air, see the trees are swelling.
Haven’t you heard about the smart sun we’re having
and the new shopping centre?
The rivers are rising with the melting snow,
birds are pairing off. So what keeps you?
I have ordered a dozen Rioja Gran Reserva.
February
Virtuoso
None of the beggars greet her,
share their cans or fags.
She wears a wedding hat,
her hair has seen a stylist.
Her violin is polished, strung,
the bow taut. Everything is ready
but something’s wrong.
Her bow never touches the strings,
though her legs move as if dancing.
She is beautiful, still,
young hair stroking an old face,
foreign, perhaps French, ex-ingénue,
probably mad, whatever that is:
I mean look at me – checking out a woman
in the street, wanting to know her story,
take her home, care for her,
put her photo on Facebook,
cilla-black her children.
Winter sets in, the word is she’s gone south.
Her spirit remains, an unkent song
haunting the moon-cold streets…
January
New Year’s Eve
A shy young woman,
the friend of a friend,
comes to my house.
I want to stroke her hair,
amuse her eyes with jokes,
hold her face in my hands,
search her frailty,
feel the boldness that covers
those small bones,
hear her story and say:
Now you are safe.
The bells ring out,
I kiss her and she leaves.
Nothing was said:
a stranger came and went
as the year turned.
One life is touched
as another becomes the night.
The fire needs a log…

Gerard Rochford’s publications include ‘Eating Eggs with Strangers’, ‘The Holy Family and Other Poems’, and ‘Figures of Stone’ (Koo Press). He is the Scottish Review’s Makar of 2010 and contributes a poem each month.
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